- 2024
- Fritz Bornstück — You Are Here (X)
- GMA 35th Anniversary
- Tom Anholt — Twins
- Accrochage
- Gult Monument — Leonard Forslund
- Mogens Gissel
- 2023
- Tjorg Douglas Beer, Bertel Bjerre, Fritz Bornstück & Günther Förg — Ceramics
- Elisabeth Toubro — - No One Creates Alone - RECYCLING_CYBORGS
- Eske Kath — Around Horizons
- Amy Bessone, Jane Corrigan, Jackie Gendel, Becky Kolsrud, Ammon Rost — FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Lin Utzon, Malene Birger, Bertel Bjerre — Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- Kathrine Ærtebjerg — You are me, I am you
- WORKS ON PAPER
- Archive
- 2024
- 2023
- Ceramics
- - No One Creates Alone - RECYCLING_CYBORGS
- Around Horizons
- FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Archive
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Accrochage
- Submerged Histories
- Artificial Light
- New Compositions - Paintings and Sculptures
- Containing Landscapes
- ACCRO- CHAGE
- THREESOME /Friends + Art
- Om Et Aar
- Flight Mode
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- Works 1988-2007
- Balancing Time Between Your Eyes
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- Barka: Pattern Up
- Blue
- GMA XXX AAR
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- EWS
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- Art on Paper
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- Sixty
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- Profane Theatre – The Trilogy, Part 2-3
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- My Love for You is Like a Japanese Car
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- The Construction of Memories
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- Please Don't Sit on the Paintings
Fritz Bornstück & Camilla Thorup
Two Holes in the Bottom of the Sea
05.12 – 10.01.2009
Galerie Mikael Andersen offers the possibility of getting acquainted with two painters, who finished their education at their respective art academies this year – Thorup in Copenhagen and Bornstück in Berlin.
The anatomy of the double exhibition should be taken seriously and should not be seen as a curated whole. Both artists paint, but that is as far as comparisons go – more or less anyway.
Camilla Thorup paints people. Human beings interacting with each other: they fight, ride on the back, balance, they are close to one another. But the closeness is very much only a physical closeness, whether it is in a fight or someone riding someone else’s back. Because the characters seem rather mechanical and stiff – almost alienated – towards the situation they are in and the people they are with; absent in their presence. Thorup’s works are characterized by a played down and controlled simplicity in their expression that waves back and forth between the sad and the humoristic.
Fritz Bornstück paints everything, and he does it with a wildness and volume. The paintings are loud, they call on the viewer through their expressivity, energy and humour. “Come here you cowardly sculpture,” says a fish with boxing gloves on. Apparently it is ready to pick a fight with a media it regards as competing and maybe also with the passing viewer, who does not dare to make sense of the painting.