- 2024
- Fritz Bornstück — You Are Here (X)
- GMA 35th Anniversary
- Tom Anholt — Twins
- Accrochage
- Gult Monument — Leonard Forslund
- Mogens Gissel
- 2023
- Tjorg Douglas Beer, Bertel Bjerre, Fritz Bornstück & Günther Förg — Ceramics
- Elisabeth Toubro — - No One Creates Alone - RECYCLING_CYBORGS
- Eske Kath — Around Horizons
- Amy Bessone, Jane Corrigan, Jackie Gendel, Becky Kolsrud, Ammon Rost — FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Lin Utzon, Malene Birger, Bertel Bjerre — Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- Kathrine Ærtebjerg — You are me, I am you
- WORKS ON PAPER
- Archive
- 2024
- 2023
- Ceramics
- - No One Creates Alone - RECYCLING_CYBORGS
- Around Horizons
- FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Archive
- Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Accrochage
- Submerged Histories
- Artificial Light
- New Compositions - Paintings and Sculptures
- Containing Landscapes
- ACCRO- CHAGE
- THREESOME /Friends + Art
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- Flight Mode
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- Barka: Pattern Up
- Blue
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- EWS
- The Fundamental Uncertainty from Where I Sit
- Islands Awake
- Invincible Summer
- Art on Paper
- TEN
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- Accrochage
- Nothing You Have to Understand
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- Sixty
- KUNST & KRUKKER
- Profane Theatre – The Trilogy, Part 2-3
- Moving Things
- Out of the Blue
- Papiret
- The Invisible Poem
- Accrochage
- Lack
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- One for the Birds
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- Rainbow Walk
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- INK
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- Arial Areas
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- Adgang/Access
- Cognitive Ruptures: Imagined Communities and the Multiculturalism of Fear (BERLIN)
- There Were Houses Everywhere
- Body of Memory - A Tribute to Louis Bourgeois
- ROTOR & RETUR
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- Search & Destroy (BERLIN)
- Sebastian Dacey & Lucy Teasdale
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- Ud af ærmet
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- My Love for You is Like a Japanese Car
- Black Maria
- Small Oil Paintings - Curated by Eddie Martinez (BERLIN)
- Sonja Ferlov Mancoba, Ernest Mancoba & Wonga Mancoba (BERLIN)
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- The Construction of Memories
- Discourse in Translation: A Pragmadialectical Analysis
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- Out of Darkness
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- Something about Painting
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- After Munch
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- ad libitum
- Production of Space
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- Big Red
- Works from 1966-1968
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- Hair Arabesque
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- Abstract Paintings Must Die Now
- Family Matter
- Home Sweet Home
- Beat Streuli
- Elle Klarskov Jørgensen / Truels Melin
- Shelter and Cover
- Please Don't Sit on the Paintings
group show
Papiret
24.06 – 13.08.2016
SAM VANALLEMEERSCH (BE), MOTOKO DOBASHI (JP), JOAKIM DRESCHER, ZVEN BALSLEV, ELINA MERENMIES (FI), RIKKE VILLADSEN, PETER LARSEN, DANIEL MILAN, FIE NORSKER
The paper could be many things: document, packaging, waste, letter, manuscript, etc. But paper is also a basic artistic medium: something to draw and write on, and, as a blank page, it has immense symbolic meaning. The title of this exhibition thus refers to the paper as both material and symbol; something which is simultaneously both completely banal while also being full of potential.
The artists in the exhibition work with paper as a medium and as an object in many different ways yet they all share very strong figurative and narrative features, often with a serial element in focus. Rikke Villadsen’s pencil drawings take their roots in the comic book, her primary form of expression, and form the beginnings of a strange story. The narrative element recurs in of both Peter Larsen’s and Fie Norsker’s vibrant and compelling universes where the artists use pastel and watercolour respectively.
Daniel Milan will show a new series of fierce and alarming ink drawings under the title S A I L O R while Zven Balslev and Joakim Drescher will show works that share an almost cartoonish approach with artist books and zines playing an important role. Motoko Dobashi’s suspended installation plays with paper as wrapping, as poster and as processed wood while her drawings of strange plant formation invoke an eerie science-fiction-esque sensation, capturing the capability of nature’s dominance over its surroundings.
Sam Vanallemeersch’s large collage drawings are evocative of both Renaissance war paintings and children’s books like Where’s Wally? with their bustling motifs and rich detail. In Elina Merenmies’s ink drawings, realistic lines blur with more poetic ones in hauntingly beautiful portraits reminiscent of both classical busts and faded passport photographs.
The exhibition is curated by Daniel Milan and Felix Rothstein.
Photo credits: Jan Søndergaard