- 2024
- Fritz Bornstück — You Are Here (X)
- GMA 35th Anniversary
- Tom Anholt — Twins
- Accrochage
- Gult Monument — Leonard Forslund
- Mogens Gissel
- 2023
- Tjorg Douglas Beer, Bertel Bjerre, Fritz Bornstück & Günther Förg — Ceramics
- Elisabeth Toubro — - No One Creates Alone - RECYCLING_CYBORGS
- Eske Kath — Around Horizons
- Amy Bessone, Jane Corrigan, Jackie Gendel, Becky Kolsrud, Ammon Rost — FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Lin Utzon, Malene Birger, Bertel Bjerre — Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- Kathrine Ærtebjerg — You are me, I am you
- WORKS ON PAPER
- Archive
- 2024
- 2023
- Ceramics
- - No One Creates Alone - RECYCLING_CYBORGS
- Around Horizons
- FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Archive
- Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Accrochage
- Submerged Histories
- Artificial Light
- New Compositions - Paintings and Sculptures
- Containing Landscapes
- ACCRO- CHAGE
- THREESOME /Friends + Art
- Om Et Aar
- Flight Mode
- Sindets Struktur
- Works 1988-2007
- Balancing Time Between Your Eyes
- Galleriets Magasin
- Barka: Pattern Up
- Blue
- GMA XXX AAR
- SKUMRINGSMALERI
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- EWS
- The Fundamental Uncertainty from Where I Sit
- Islands Awake
- Invincible Summer
- Art on Paper
- TEN
- 1000 Sterne
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- Confrontation Pieces / Konfrontationsstykker
- Accrochage
- Nothing You Have to Understand
- Figuration and Algorithms
- Eyrarrós-Klang
- Sixty
- KUNST & KRUKKER
- Profane Theatre – The Trilogy, Part 2-3
- Moving Things
- Out of the Blue
- Papiret
- The Invisible Poem
- Accrochage
- Lack
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- One for the Birds
- Disembedded
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- Rainbow Walk
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- Alles Wasser
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- The Play
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- Sebastian Dacey & Lucy Teasdale
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- Ud af ærmet
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- My Love for You is Like a Japanese Car
- Black Maria
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- Sonja Ferlov Mancoba, Ernest Mancoba & Wonga Mancoba (BERLIN)
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- The Construction of Memories
- Discourse in Translation: A Pragmadialectical Analysis
- Land of Drawing - Land der zeichnunge / Remains of the Day (BERLIN)
- Heaven
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- Beat Streuli
- Elle Klarskov Jørgensen / Truels Melin
- Shelter and Cover
- Please Don't Sit on the Paintings
Profane Theatre
21.02 – 29.03.2014
Profane Theatre is a new exhibition in a series of ‘profane’ exhibitions by the artist. In this exhibition Søren Jensen presents a single installation that is itself a type of performance. The profane works reflect a wider body of work and work practice whose ideas take their starting point from popular custom and the everyday.
The works are recognizable as objects in themselves, that is, from outside of an artistic framework; it could be a carousel, a car, a doll, a bicycle rack or a trailer. At the same time these works cause us to reflect on what we devote our time to and how we make use of our everyday life, our external reality and the matter and objects that our everyday life is made up of.
The Installation Profane Theatre – Hunter and animalsin the woods consists of costumes, masks, hand puppets, an illuminated sign and a video of a site specific theatre piece. Hunter and animals in the woods is an installation based on the familiar hand puppet.
Hand puppets are recognized in almost all cultures as a simple form of theatre. They are typically used to show stereotypes and caricatured portrayals; in this naïve simplification, cultural revelations and hidden meanings are unseen. The puppets are therefore perhaps not as innocent as they initially appear and it is these hidden meanings that Hunter and animals in the woods uses to create new artistic significance. Profane theatre is a way of recirculating a traditional custom aptly explained by Samuel Beckett’s ‘How it is’.
The profane works can also be explorations in specific practices. This can be seen in Søren Jensen’s books ‘Minigolf på Fyn’ and ‘Fynsk tillykke’. In these books however, the exploration is more of a study in anthropology than an artwork.
Søren Jensen (b.1957) was educated at the Danish Royal Academy of Art in 1986. He is, among others, represented by The National Gallery of Denmark, The National Museum of Photography, Arken, Trapholt Museum of Art. Between 1999 and 2006 Søren Jensen was the rector of Funen Art Academy and most recently he was chairman of The Danish Arts Council between 2011 and 2014.
Photo credits: Jan Søndergaard