- 2019
- Barka — Barka: Pattern Up
- Tom Anholt — Blue
- group show — GMA XXX AAR
- Leonard Forslund — SKUMRINGSMALERI
- Kathrine Ærtebjerg — Værktøjet
- Ryan Mosley — Rival Poets
- 2018
- Sonja Ferlov Mancoba, Ernest Mancoba and Wonga Mancoba — EWS
- Eske Kath — The Fundamental Uncertainty from Where I Sit
- Leiko Ikemura — Islands Awake
- group show — Invincible Summer
- Tjorg Douglas Beer — Figures and Paintings
- group show — Art on Paper
- Fritz Bornstück — TEN
- 2017
- group show — 1000 Sterne
- Markus Bacher - Paintings
- Elisabeth Toubro — Confrontation Pieces / Konfrontationsstykker
- group show — Accrochage
- group show — Nothing You Have to Understand
- Kristian Touborg — Figuration and Algorithms
- Bernd Koberling — Eyrarrós-Klang
- Tom Anholt — Sixty
- Archive
- 2019
- 2018
- EWS
- The Fundamental Uncertainty from Where I Sit
- Islands Awake
- Invincible Summer
- Figures and Paintings
- Art on Paper
- TEN
- 2017
- 1000 Sterne
- Markus Bacher - Paintings
- Confrontation Pieces / Konfrontationsstykker
- Accrochage
- Nothing You Have to Understand
- Figuration and Algorithms
- Eyrarrós-Klang
- Sixty
- Archive
- 1000 Sterne
- Markus Bacher - Paintings
- Confrontation Pieces / Konfrontationsstykker
- Accrochage
- Nothing You Have to Understand
- Figuration and Algorithms
- Eyrarrós-Klang
- Sixty
- KUNST & KRUKKER
- Profane Theatre – The Trilogy, Part 2-3
- Moving Things
- Out of the Blue
- Papiret
- The Invisible Poem
- Accrochage
- Lack
- Christmas Exhibition
- One for the Birds
- Disembedded
- Neighbors
- With Dante in Paradise, The South-eastern part of Odsherred
- site by site
- Question the Answer
- The Islanders
- Bell Jar Tourism
- Chambre Ornementale
- Ubuntu
- Contemporary African Art
- Sculptures and Works on Paper (BERLIN)
- Drömsplitter
- A Head Ahead (BERLIN)
- Fairway
- Profane Theatre
- Perfection, The Grave of Our Own Existence / Children Playing on the Canvas (BERLIN)
- Rainbow Walk
- Christmas Exhibition
- Where are you?
- Batman Elektronik (BERLIN)
- Endless Nameless
- Erbeutet (BERLIN)
- Whoever has the most things when we die wins
- Alles Wasser
- Blumen / Flowers / Blomster (BERLIN)
- The Play
- Blackboard Sunset / Man Made (BERLIN)
- INK
- Ikarier (BERLIN)
- Normative Positioning
- Billedstorm
- Fuzzy Relations / Straw House (BERLIN)
- The Wandering Woman’s Momentum
- Accrochage
- Die korrekte verwendung von seife / Bait 'n Tackle (BERLIN)
- Why are you so odd?
- Blomster / Flowers / Blumen
- Alles Wasser (BERLIN)
- Time Passes for Virginia Woolf
- Works 1970 - 2011
- Her Stomach is an Oven that Burns the World / Einen Intensiven Moment (BERLIN)
- Accrochage
- SurVivArt - Art for the Right to a "Good Life" Heinrich Böll Foundation at Galerie Mikael Andersen (BERLIN)
- Arial Areas
- EWS
- All work and no play (BERLIN)
- Adgang/Access
- Cognitive Ruptures: Imagined Communities and the Multiculturalism of Fear (BERLIN)
- There Were Houses Everywhere
- Body of Memory - A Tribute to Louis Bourgeois
- ROTOR & RETUR
- Teleskopf (BERLIN)
- Search & Destroy (BERLIN)
- Sebastian Dacey & Lucy Teasdale
- ShowRoom
- Gesammelte Folgen / solo show (BERLIN)
- Ud af ærmet
- Between the Real and the Imaginary (BERLIN)
- My Love for You is Like a Japanese Car
- Black Maria
- Small Oil Paintings - Curated by Eddie Martinez (BERLIN)
- Sonja Ferlov Mancoba, Ernest Mancoba & Wonga Mancoba (BERLIN)
- Wuthering Heights (BERLIN)
- The Construction of Memories
- Discourse in Translation: A Pragmadialectical Analysis
- Land of Drawing - Land der zeichnunge / Remains of the Day (BERLIN)
- Heaven
- The Mask
- If you're a Mess, I'm a Mess / My Best Side (BERLIN)
- Out of Darkness
- NAMAZU-Eclipse (BERLIN)
- News and Updates
- Behind the Sun
- But it Felt Like a Kiss / Wood Nation (BERLIN)
- Die information, die da drinnen steckt, ist grossartig
- Beyond the Horizon / Backstage (BERLIN)
- MEGA
- Mogen Gissel
- Haus Stunden (BERLIN)
- WOOD NATION
- 4 Weeks 4 Sights (BERLIN)
- Two Holes in the Bottom of the Sea
- Inside Out (BERLIN)
- Picnic in Paradise
- Home Alone
- Indefinite Spaces (BERLIN)
- I'll Just Have to Work with This
- Katharina-Elizabeth I,II,III (BERLIN)
- Nobuyoshi Araki
- Love, Never (BERLIN)
- Casserole
- Living in a Box (BERLIN)
- El Dorado
- The Message (BERLIN)
- Accessories
- High Lights (BERLIN)
- Gravity
- Trip to Denmark
- Masquerade
- Bling
- The end of the universe as we know it?
- Sculptures
- New Works
- The Rehearsal Dinner
- Parallel Landscapes
- Nice Paintings
- What Lies Beneath – New Art from South Africa
- Squelette de l’esprit
- The Paradise Observatory
- Time Out
- Experiment
- Void Garden
- Hot Water - Cold Water : Young art from Cuba
- Imaginary Realities
- New works
- The Ideal Studio House
- She
- In the House in the Woods by the Lake
- Summer Show
- 3 on View
- Home Again
- Color
- My Tsunami
- Renaissance Paintings
- It Only Takes Two Fingers to Stop a Nose from Bleeding
- Product
- Milk Carton series and Plaster Sculptures
- Twenty Years of Boring Drawings
- Ecco of the Eye
- S M L
- Prototypes (Shelter)
- New Works
- Leonard Forslund - New Paintings & Mogens Andersen - New Drawings
- The Nine Muses
- Shamanizia
- New Lead Paintings & Sculptures
- Word Cluster Paintings
- Portraits of Artists
- Golf
- Riverrun
- Inhaling Human Suffering, Exhaling Well being
- Folded : 5 Sculptures
- Painting Collage Drawing
- Indretninger i hukommelsen
- Mogens Andersen
- Something about Painting
- Dingle Berries
- After Munch
- The Millenium Show
- ad libitum
- Production of Space
- Michael Krebber & Cosima von Bonin
- Big Red
- Works from 1966-1968
- New Works
- Painting Pots
- Hair Arabesque
- Mogens Andersen
- Abstract Paintings Must Die Now
- Family Matter
- Home Sweet Home
- Beat Streuli
- Elle Klarskov Jørgensen / Truels Melin
- Shelter and Cover
- Please Don't Sit on the Paintings
Prototypes (Shelter)
13.09 – 19.10.2002
The exhibition Prototypes contains four works, which all are prototypes for a modular system. The prototypes are largely considered a developement of the artist’s earlier 'shelters', and from 'Settlement': The installation that Søren Jensen exhibited at Overgaden in the year 2000.
His new work, like the earlier work, focuses on the spatial and funktional relations between the sculptural and the architectural. The works are neither sculpture nor architecture, even though their choice of materials and dimensions refer to both categories.The prototypes are a spatial and functional praxis with a very high degree of 'openess'. This way the four modules can be combined in more than 40 different ways.
In the exhibition at Galerie Mikael Andersen Søren Jensen has selected two of these possibilities. The remaining combinations are inherent in the work as possibilities, and is contributing to this 'openess'. The prototypes do not point to one spatial and functional appearance, but on a series of possibilities which has not been layed out.
The exhibition only shows one possibility among many others, and this is not necessarily the right one or the best.The protypes are 'open' useable constructions that has no been determined functionally yet. This is handed over to the spectator, who either through imagination or concrete use is a part in creating the content of the work.