- 2024
- 2023
- Tjorg Douglas Beer, Bertel Bjerre, Fritz Bornstück & Günther Förg — Ceramics
- Elisabeth Toubro — - No One Creates Alone - RECYCLING_CYBORGS
- Eske Kath — Around Horizons
- Amy Bessone, Jane Corrigan, Jackie Gendel, Becky Kolsrud, Ammon Rost — FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Lin Utzon, Malene Birger, Bertel Bjerre — Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- Kathrine Ærtebjerg — You are me, I am you
- WORKS ON PAPER
- Archive
- 2024
- 2023
- Ceramics
- - No One Creates Alone - RECYCLING_CYBORGS
- Around Horizons
- FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Archive
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Accrochage
- Submerged Histories
- Artificial Light
- New Compositions - Paintings and Sculptures
- Containing Landscapes
- ACCRO- CHAGE
- THREESOME /Friends + Art
- Om Et Aar
- Flight Mode
- Sindets Struktur
- Works 1988-2007
- Balancing Time Between Your Eyes
- Galleriets Magasin
- Barka: Pattern Up
- Blue
- GMA XXX AAR
- SKUMRINGSMALERI
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- EWS
- The Fundamental Uncertainty from Where I Sit
- Islands Awake
- Invincible Summer
- Art on Paper
- TEN
- 1000 Sterne
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- Accrochage
- Nothing You Have to Understand
- Figuration and Algorithms
- Eyrarrós-Klang
- Sixty
- KUNST & KRUKKER
- Profane Theatre – The Trilogy, Part 2-3
- Moving Things
- Out of the Blue
- Papiret
- The Invisible Poem
- Accrochage
- Lack
- Christmas Exhibition
- One for the Birds
- Disembedded
- Neighbors
- With Dante in Paradise, The South-eastern part of Odsherred
- site by site
- Question the Answer
- The Islanders
- Bell Jar Tourism
- Chambre Ornementale
- Ubuntu
- Contemporary African Art
- Sculptures and Works on Paper (BERLIN)
- Drömsplitter
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- Rainbow Walk
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- Where are you?
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- Endless Nameless
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- Whoever has the most things when we die wins
- Alles Wasser
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- The Play
- Blackboard Sunset / Man Made (BERLIN)
- INK
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- The Wandering Woman’s Momentum
- Accrochage
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- Why are you so odd?
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- Works 1970 - 2011
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- Accrochage
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- ROTOR & RETUR
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- Sebastian Dacey & Lucy Teasdale
- ShowRoom
- Gesammelte Folgen / solo show (BERLIN)
- Ud af ærmet
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- My Love for You is Like a Japanese Car
- Black Maria
- Small Oil Paintings - Curated by Eddie Martinez (BERLIN)
- Sonja Ferlov Mancoba, Ernest Mancoba & Wonga Mancoba (BERLIN)
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- The Construction of Memories
- Discourse in Translation: A Pragmadialectical Analysis
- Land of Drawing - Land der zeichnunge / Remains of the Day (BERLIN)
- Heaven
- The Mask
- If you're a Mess, I'm a Mess / My Best Side (BERLIN)
- Out of Darkness
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- Die information, die da drinnen steckt, ist grossartig
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- ad libitum
- Production of Space
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- Abstract Paintings Must Die Now
- Family Matter
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- Beat Streuli
- Elle Klarskov Jørgensen / Truels Melin
- Shelter and Cover
- Please Don't Sit on the Paintings
Lars Tygesen
Love, Never
02.05 – 14.06.2008
Lars Tygesen presents us with scenes that emanate from former times. Depictions of Rococo motifs resemble stills from period films. The title of the show Love, Never quotes John Malkovich alias Vicomte de Valmont in Dangerous Liasons (Stephen Frears, 1988): "You see, until I met you, I had only ever experienced desire. Love, never.” Though one could call it kitsch, the Vicomte deems it true passion. Let us surrender to temptation, desire, ecstasy and the belief in eternity and beauty. Costumes, interiors, and insights into a person’s private life are the key themes of the Rococo, the period between Baroque and Classicism. It was a counter movement focussing on expressions of intimacy. In contrast to the monumental power and vigor inherent in Baroque style, the Rococo movement offered a more subtle and gentle attitude towards life, combined with elegant, courtly sensuality.
Lars Tygesen’s paintings allow the viewer to enter the private realm. The viewer becomes a voyeur who is invited to learn about secret stories. However, these stories emerge only as half-truths because they consist of illusions. Individuals lack faces; white paint conceals what might otherwise have communicated emotion. Love, never. Lars Tygesen’s figures at once convey presence and absence. His painterly technique produces a pictorial antagonism between space and surface. He constantly alternates between the figurative and the abstract, switching between figure and content, presenting dialogue between composition and decomposition.
Lars Tygesen’s first institutional solo exhibition will take place in November 2008 at the studio of Heidelberger Kunstverein.