- 2024
- Fritz Bornstück — You Are Here (X)
- GMA 35th Anniversary
- Tom Anholt — Twins
- Accrochage
- Gult Monument — Leonard Forslund
- Mogens Gissel
- 2023
- Tjorg Douglas Beer, Bertel Bjerre, Fritz Bornstück & Günther Förg — Ceramics
- Elisabeth Toubro — - No One Creates Alone - RECYCLING_CYBORGS
- Eske Kath — Around Horizons
- Amy Bessone, Jane Corrigan, Jackie Gendel, Becky Kolsrud, Ammon Rost — FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Lin Utzon, Malene Birger, Bertel Bjerre — Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- Kathrine Ærtebjerg — You are me, I am you
- WORKS ON PAPER
- Archive
- 2024
- 2023
- Ceramics
- - No One Creates Alone - RECYCLING_CYBORGS
- Around Horizons
- FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Archive
- Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Accrochage
- Submerged Histories
- Artificial Light
- New Compositions - Paintings and Sculptures
- Containing Landscapes
- ACCRO- CHAGE
- THREESOME /Friends + Art
- Om Et Aar
- Flight Mode
- Sindets Struktur
- Works 1988-2007
- Balancing Time Between Your Eyes
- Galleriets Magasin
- Barka: Pattern Up
- Blue
- GMA XXX AAR
- SKUMRINGSMALERI
- Værktøjet
- Rival Poets
- EWS
- The Fundamental Uncertainty from Where I Sit
- Islands Awake
- Invincible Summer
- Art on Paper
- TEN
- 1000 Sterne
- Markus Bacher - Paintings
- Confrontation Pieces / Konfrontationsstykker
- Accrochage
- Nothing You Have to Understand
- Figuration and Algorithms
- Eyrarrós-Klang
- Sixty
- KUNST & KRUKKER
- Profane Theatre – The Trilogy, Part 2-3
- Moving Things
- Out of the Blue
- Papiret
- The Invisible Poem
- Accrochage
- Lack
- Christmas Exhibition
- One for the Birds
- Disembedded
- Neighbors
- With Dante in Paradise, The South-eastern part of Odsherred
- site by site
- Question the Answer
- The Islanders
- Bell Jar Tourism
- Chambre Ornementale
- Ubuntu
- Contemporary African Art
- Sculptures and Works on Paper (BERLIN)
- Drömsplitter
- A Head Ahead (BERLIN)
- Fairway
- Profane Theatre
- Perfection, The Grave of Our Own Existence / Children Playing on the Canvas (BERLIN)
- Rainbow Walk
- Christmas Exhibition
- Where are you?
- Batman Elektronik (BERLIN)
- Endless Nameless
- Erbeutet (BERLIN)
- Whoever has the most things when we die wins
- Alles Wasser
- Blumen / Flowers / Blomster (BERLIN)
- The Play
- Blackboard Sunset / Man Made (BERLIN)
- INK
- Ikarier (BERLIN)
- Normative Positioning
- Billedstorm
- Fuzzy Relations / Straw House (BERLIN)
- The Wandering Woman’s Momentum
- Accrochage
- Die korrekte verwendung von seife / Bait 'n Tackle (BERLIN)
- Why are you so odd?
- Blomster / Flowers / Blumen
- Alles Wasser (BERLIN)
- Time Passes for Virginia Woolf
- Works 1970 - 2011
- Her Stomach is an Oven that Burns the World / Einen Intensiven Moment (BERLIN)
- Accrochage
- SurVivArt - Art for the Right to a "Good Life" Heinrich Böll Foundation at Galerie Mikael Andersen (BERLIN)
- Arial Areas
- EWS
- All work and no play (BERLIN)
- Adgang/Access
- Cognitive Ruptures: Imagined Communities and the Multiculturalism of Fear (BERLIN)
- There Were Houses Everywhere
- Body of Memory - A Tribute to Louis Bourgeois
- ROTOR & RETUR
- Teleskopf (BERLIN)
- Search & Destroy (BERLIN)
- Sebastian Dacey & Lucy Teasdale
- ShowRoom
- Gesammelte Folgen / solo show (BERLIN)
- Ud af ærmet
- Between the Real and the Imaginary (BERLIN)
- My Love for You is Like a Japanese Car
- Black Maria
- Small Oil Paintings - Curated by Eddie Martinez (BERLIN)
- Sonja Ferlov Mancoba, Ernest Mancoba & Wonga Mancoba (BERLIN)
- Wuthering Heights (BERLIN)
- The Construction of Memories
- Discourse in Translation: A Pragmadialectical Analysis
- Land of Drawing - Land der zeichnunge / Remains of the Day (BERLIN)
- Heaven
- The Mask
- If you're a Mess, I'm a Mess / My Best Side (BERLIN)
- Out of Darkness
- NAMAZU-Eclipse (BERLIN)
- News and Updates
- Behind the Sun
- But it Felt Like a Kiss / Wood Nation (BERLIN)
- Die information, die da drinnen steckt, ist grossartig
- Beyond the Horizon / Backstage (BERLIN)
- MEGA
- Mogen Gissel
- Haus Stunden (BERLIN)
- WOOD NATION
- 4 Weeks 4 Sights (BERLIN)
- Two Holes in the Bottom of the Sea
- Inside Out (BERLIN)
- Picnic in Paradise
- Home Alone
- Indefinite Spaces (BERLIN)
- I'll Just Have to Work with This
- Katharina-Elizabeth I,II,III (BERLIN)
- Nobuyoshi Araki
- Love, Never (BERLIN)
- Casserole
- Living in a Box (BERLIN)
- El Dorado
- The Message (BERLIN)
- Accessories
- High Lights (BERLIN)
- Gravity
- Trip to Denmark
- Masquerade
- Bling
- The end of the universe as we know it?
- Sculptures
- New Works
- The Rehearsal Dinner
- Parallel Landscapes
- Nice Paintings
- What Lies Beneath – New Art from South Africa
- Squelette de l’esprit
- The Paradise Observatory
- Time Out
- Experiment
- Void Garden
- Hot Water - Cold Water : Young art from Cuba
- Imaginary Realities
- New works
- The Ideal Studio House
- She
- In the House in the Woods by the Lake
- Summer Show
- 3 on View
- Home Again
- Color
- My Tsunami
- Renaissance Paintings
- It Only Takes Two Fingers to Stop a Nose from Bleeding
- Product
- Milk Carton series and Plaster Sculptures
- Twenty Years of Boring Drawings
- Ecco of the Eye
- S M L
- Prototypes (Shelter)
- New Works
- Leonard Forslund - New Paintings & Mogens Andersen - New Drawings
- The Nine Muses
- Shamanizia
- New Lead Paintings & Sculptures
- Word Cluster Paintings
- Portraits of Artists
- Golf
- Riverrun
- Inhaling Human Suffering, Exhaling Well being
- Folded : 5 Sculptures
- Painting Collage Drawing
- Indretninger i hukommelsen
- Mogens Andersen
- Something about Painting
- Dingle Berries
- After Munch
- The Millenium Show
- ad libitum
- Production of Space
- Michael Krebber & Cosima von Bonin
- Big Red
- Works from 1966-1968
- New Works
- Painting Pots
- Hair Arabesque
- Mogens Andersen
- Abstract Paintings Must Die Now
- Family Matter
- Home Sweet Home
- Beat Streuli
- Elle Klarskov Jørgensen / Truels Melin
- Shelter and Cover
- Please Don't Sit on the Paintings
Adgang/Access
29.09 – 04.11.2011
Artist Talk about the exhibition at Institute of Art and Culture, Copenhagen University, 18 November.
The possibility to access something is often linked to the use of passwords, as for example when we use the web to shop or log on to social media. In the recent years Signe Guttormsen has been preoccupied with the choices to be made among the large amount of opportunities the world offers. In continuation of this theme the works in this exhibition are about being inside or outside the range of possibilities - about access.
The exhibition ACCESS presents new works of Signe Guttormsen, two of them are wallpapers with text and photographs. One of the walls in the gallery will be filled with short phrases like "you will," "she must," "they shall" etc. These statements are exposed on a large area and thus become very explicit and the way we act by them seems crucial. The title of the wallpapers "Fait vos jeux", which translated into English means "Place your bets," is what the cropieren says just before he turns the roulette wheel. "Fait vos jeux" in this context means "Make a decision" and emphasizes the importance of the decisions and the choices we make in the land of opportunities.
The second wallpaper contains the sentences from the first wallpaper converted to Braille, but the dots in the six-point system is not intended to be seen, they are supposed to be touched and therefore makes no sense for the seeing eye. Among the dots Guttormsen has inserted documentary photographs of supply installations in buildings, parts that are seen only under construction but normally non-visible necessities in our daily lives, just as passwords.
The wallpapers will be an entrance (or access) to the exhibition's other works where tracks or signs are machined into the wood laminate and aluminum plates. Both wood laminate and sandwich plates of aluminum have surfaces that are essentially different from their cores, which are reviled when Guttormsen mills in these plates. The tracks left from the milling create horizontal lines, which remind you of messages or signs from the digital world. Parts of the trails are filled with color, which creates a potentially meaningful pattern.
In all of the signs and patterns of the exhibition it is the viewer who has the ability to create coherence and reflect on the possibilities of access. The works have further significance through the demonstration of the storyline. The works are objects that are created through actions and actions create meaning. The color-fields and millings become visual markers of the artist's acts but are also an act of man in the world of opportunities. They are strong aesthetic objects that appear both sculptural and painterly linear, and the actions of processing of the materials are reinforced by the action-verbs that Guttormsen uses in the wallpaper.
Signe Guttormsen graduated from the Royal Danish Academy of Fine Arts in 1991 and has further more studied at Rijksakademie van beeldende Art in Amsterdam from 1991-1993. In 2009 Signe Guttormsen moved back to Denmark after having lived and worked in Amsterdam, Berlin and Cologne since the early nineties. Signe Guttormsen is represented at Horsens Kunstmuseum and Vestsjællands Art Museum and has also executed the rooftop at Frederik 8's palace at Amalienborg. Currently Guttormsen is working on a project with integrated art of University of Southern Denmark in Odense.
The exhibition has been supported by the Danish Arts Council.
Photo credits: Jan Søndergaard