- 2024
- 2023
- Tjorg Douglas Beer, Bertel Bjerre, Fritz Bornstück & Günther Förg — Ceramics
- Elisabeth Toubro — - No One Creates Alone - RECYCLING_CYBORGS
- Eske Kath — Around Horizons
- Amy Bessone, Jane Corrigan, Jackie Gendel, Becky Kolsrud, Ammon Rost — FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Lin Utzon, Malene Birger, Bertel Bjerre — Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- Kathrine Ærtebjerg — You are me, I am you
- WORKS ON PAPER
- Archive
- 2024
- 2023
- Ceramics
- - No One Creates Alone - RECYCLING_CYBORGS
- Around Horizons
- FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Archive
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Accrochage
- Submerged Histories
- Artificial Light
- New Compositions - Paintings and Sculptures
- Containing Landscapes
- ACCRO- CHAGE
- THREESOME /Friends + Art
- Om Et Aar
- Flight Mode
- Sindets Struktur
- Works 1988-2007
- Balancing Time Between Your Eyes
- Galleriets Magasin
- Barka: Pattern Up
- Blue
- GMA XXX AAR
- SKUMRINGSMALERI
- Værktøjet
- Rival Poets
- EWS
- The Fundamental Uncertainty from Where I Sit
- Islands Awake
- Invincible Summer
- Art on Paper
- TEN
- 1000 Sterne
- Markus Bacher - Paintings
- Confrontation Pieces / Konfrontationsstykker
- Accrochage
- Nothing You Have to Understand
- Figuration and Algorithms
- Eyrarrós-Klang
- Sixty
- KUNST & KRUKKER
- Profane Theatre – The Trilogy, Part 2-3
- Moving Things
- Out of the Blue
- Papiret
- The Invisible Poem
- Accrochage
- Lack
- Christmas Exhibition
- One for the Birds
- Disembedded
- Neighbors
- With Dante in Paradise, The South-eastern part of Odsherred
- site by site
- Question the Answer
- The Islanders
- Bell Jar Tourism
- Chambre Ornementale
- Ubuntu
- Contemporary African Art
- Sculptures and Works on Paper (BERLIN)
- Drömsplitter
- A Head Ahead (BERLIN)
- Fairway
- Profane Theatre
- Perfection, The Grave of Our Own Existence / Children Playing on the Canvas (BERLIN)
- Rainbow Walk
- Christmas Exhibition
- Where are you?
- Batman Elektronik (BERLIN)
- Endless Nameless
- Erbeutet (BERLIN)
- Whoever has the most things when we die wins
- Alles Wasser
- Blumen / Flowers / Blomster (BERLIN)
- The Play
- Blackboard Sunset / Man Made (BERLIN)
- INK
- Ikarier (BERLIN)
- Normative Positioning
- Billedstorm
- Fuzzy Relations / Straw House (BERLIN)
- The Wandering Woman’s Momentum
- Accrochage
- Die korrekte verwendung von seife / Bait 'n Tackle (BERLIN)
- Why are you so odd?
- Blomster / Flowers / Blumen
- Alles Wasser (BERLIN)
- Time Passes for Virginia Woolf
- Works 1970 - 2011
- Her Stomach is an Oven that Burns the World / Einen Intensiven Moment (BERLIN)
- Accrochage
- SurVivArt - Art for the Right to a "Good Life" Heinrich Böll Foundation at Galerie Mikael Andersen (BERLIN)
- Arial Areas
- EWS
- All work and no play (BERLIN)
- Adgang/Access
- Cognitive Ruptures: Imagined Communities and the Multiculturalism of Fear (BERLIN)
- There Were Houses Everywhere
- Body of Memory - A Tribute to Louis Bourgeois
- ROTOR & RETUR
- Teleskopf (BERLIN)
- Search & Destroy (BERLIN)
- Sebastian Dacey & Lucy Teasdale
- ShowRoom
- Gesammelte Folgen / solo show (BERLIN)
- Ud af ærmet
- Between the Real and the Imaginary (BERLIN)
- My Love for You is Like a Japanese Car
- Black Maria
- Small Oil Paintings - Curated by Eddie Martinez (BERLIN)
- Sonja Ferlov Mancoba, Ernest Mancoba & Wonga Mancoba (BERLIN)
- Wuthering Heights (BERLIN)
- The Construction of Memories
- Discourse in Translation: A Pragmadialectical Analysis
- Land of Drawing - Land der zeichnunge / Remains of the Day (BERLIN)
- Heaven
- The Mask
- If you're a Mess, I'm a Mess / My Best Side (BERLIN)
- Out of Darkness
- NAMAZU-Eclipse (BERLIN)
- News and Updates
- Behind the Sun
- But it Felt Like a Kiss / Wood Nation (BERLIN)
- Die information, die da drinnen steckt, ist grossartig
- Beyond the Horizon / Backstage (BERLIN)
- MEGA
- Mogen Gissel
- Haus Stunden (BERLIN)
- WOOD NATION
- 4 Weeks 4 Sights (BERLIN)
- Two Holes in the Bottom of the Sea
- Inside Out (BERLIN)
- Picnic in Paradise
- Home Alone
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- I'll Just Have to Work with This
- Katharina-Elizabeth I,II,III (BERLIN)
- Nobuyoshi Araki
- Love, Never (BERLIN)
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- El Dorado
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- Gravity
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- The end of the universe as we know it?
- Sculptures
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- The Rehearsal Dinner
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- Nice Paintings
- What Lies Beneath – New Art from South Africa
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- Time Out
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- Hot Water - Cold Water : Young art from Cuba
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- She
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- Summer Show
- 3 on View
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- My Tsunami
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- It Only Takes Two Fingers to Stop a Nose from Bleeding
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- Milk Carton series and Plaster Sculptures
- Twenty Years of Boring Drawings
- Ecco of the Eye
- S M L
- Prototypes (Shelter)
- New Works
- Leonard Forslund - New Paintings & Mogens Andersen - New Drawings
- The Nine Muses
- Shamanizia
- New Lead Paintings & Sculptures
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- Golf
- Riverrun
- Inhaling Human Suffering, Exhaling Well being
- Folded : 5 Sculptures
- Painting Collage Drawing
- Indretninger i hukommelsen
- Mogens Andersen
- Something about Painting
- Dingle Berries
- After Munch
- The Millenium Show
- ad libitum
- Production of Space
- Michael Krebber & Cosima von Bonin
- Big Red
- Works from 1966-1968
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- Hair Arabesque
- Mogens Andersen
- Abstract Paintings Must Die Now
- Family Matter
- Home Sweet Home
- Beat Streuli
- Elle Klarskov Jørgensen / Truels Melin
- Shelter and Cover
- Please Don't Sit on the Paintings
She
25.09 – 30.10.2004
With the exhibition She Kathrine Ærtebjerg opens up to a world of adventure, fairytales and longing. Kathrine Ærtebjerg is a storyteller. She tells stories which at a first glance looks like naive bliss, but on a closer look opens up to a universe where concepts like child/adult and animal/human are not fixed. A universe where existence, sexuality and identity are considered crucial themes. She moves between melancholy, sweetness, humour and intensity, and challenges the audience to take a step into her world and not settle at a first glance. She moves consciously at the border between the simple and the complex, and challenges the audience to find their place on this border.
The titles of the paintings are painted directly onto the walls of the exhibition, and makes up guidelines to what is going on in the canvasses. Some titles comment briefly on the paintings, like for instance: 'Surrender, submission' or 'Challenge, obstacle'. Other titles are more telling, and gives insights into the characters of the paintings: 'At last she was home' or 'She felt trapped by her destiny'. The titles contribute to the understanding of the works, and interpret their atmosphere.Kathrine Ærtebjergs way of constructing worlds and figures, reminds of surrealism and symbolism. She is not trying to control the process of painting entirely. Quite the contrary: she intentionally lets small and large animals, figures and creatures through. In all she works in relatively tight constructions, where you often can see creatures crawling around the periphery of the painting. Creatures that have no space within the frame of the painting, but somehow have found their way into it anyway.
The exhibition title - the abstract She - suggests the feminine character of the show. 'SHE' can be found in many work titles, and together with the mystic symbols create a kind of rebus. A rebus to which there are no final solution. The imagery moves in a feminine universe, and explores a feminine theme. To Ærtebjerg is it important to discuss and tell about feminine values in a masculine age, where the stories that are told often follow in the footsteps of the culture of commercial advertising.In relation with the exhibition a catalogue has been published.