- 2024
- 2023
- Tjorg Douglas Beer, Bertel Bjerre, Fritz Bornstück & Günther Förg — Ceramics
- Elisabeth Toubro — - No One Creates Alone - RECYCLING_CYBORGS
- Eske Kath — Around Horizons
- Amy Bessone, Jane Corrigan, Jackie Gendel, Becky Kolsrud, Ammon Rost — FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Lin Utzon, Malene Birger, Bertel Bjerre — Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- Kathrine Ærtebjerg — You are me, I am you
- WORKS ON PAPER
- Archive
- 2024
- 2023
- Ceramics
- - No One Creates Alone - RECYCLING_CYBORGS
- Around Horizons
- FLOATING BODIES
- Jagoda Bednarsky & Henri Haake
- Jesper Christiansen - Georgica
- 2022
- Togetherness
- EWS - Ernest, Wonga, Sonja Ferlov Mancoba
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Archive
- Philip Grözinger - Mit Farben ins Universum
- Fritz Bornstück - NEONGRAU
- You are me, I am you
- WORKS ON PAPER
- Accrochage
- Submerged Histories
- Artificial Light
- New Compositions - Paintings and Sculptures
- Containing Landscapes
- ACCRO- CHAGE
- THREESOME /Friends + Art
- Om Et Aar
- Flight Mode
- Sindets Struktur
- Works 1988-2007
- Balancing Time Between Your Eyes
- Galleriets Magasin
- Barka: Pattern Up
- Blue
- GMA XXX AAR
- SKUMRINGSMALERI
- Værktøjet
- Rival Poets
- EWS
- The Fundamental Uncertainty from Where I Sit
- Islands Awake
- Invincible Summer
- Art on Paper
- TEN
- 1000 Sterne
- Markus Bacher - Paintings
- Confrontation Pieces / Konfrontationsstykker
- Accrochage
- Nothing You Have to Understand
- Figuration and Algorithms
- Eyrarrós-Klang
- Sixty
- KUNST & KRUKKER
- Profane Theatre – The Trilogy, Part 2-3
- Moving Things
- Out of the Blue
- Papiret
- The Invisible Poem
- Accrochage
- Lack
- Christmas Exhibition
- One for the Birds
- Disembedded
- Neighbors
- With Dante in Paradise, The South-eastern part of Odsherred
- site by site
- Question the Answer
- The Islanders
- Bell Jar Tourism
- Chambre Ornementale
- Ubuntu
- Contemporary African Art
- Sculptures and Works on Paper (BERLIN)
- Drömsplitter
- A Head Ahead (BERLIN)
- Fairway
- Profane Theatre
- Perfection, The Grave of Our Own Existence / Children Playing on the Canvas (BERLIN)
- Rainbow Walk
- Christmas Exhibition
- Where are you?
- Batman Elektronik (BERLIN)
- Endless Nameless
- Erbeutet (BERLIN)
- Whoever has the most things when we die wins
- Alles Wasser
- Blumen / Flowers / Blomster (BERLIN)
- The Play
- Blackboard Sunset / Man Made (BERLIN)
- INK
- Ikarier (BERLIN)
- Normative Positioning
- Billedstorm
- Fuzzy Relations / Straw House (BERLIN)
- The Wandering Woman’s Momentum
- Accrochage
- Die korrekte verwendung von seife / Bait 'n Tackle (BERLIN)
- Why are you so odd?
- Blomster / Flowers / Blumen
- Alles Wasser (BERLIN)
- Time Passes for Virginia Woolf
- Works 1970 - 2011
- Her Stomach is an Oven that Burns the World / Einen Intensiven Moment (BERLIN)
- Accrochage
- SurVivArt - Art for the Right to a "Good Life" Heinrich Böll Foundation at Galerie Mikael Andersen (BERLIN)
- Arial Areas
- EWS
- All work and no play (BERLIN)
- Adgang/Access
- Cognitive Ruptures: Imagined Communities and the Multiculturalism of Fear (BERLIN)
- There Were Houses Everywhere
- Body of Memory - A Tribute to Louis Bourgeois
- ROTOR & RETUR
- Teleskopf (BERLIN)
- Search & Destroy (BERLIN)
- Sebastian Dacey & Lucy Teasdale
- ShowRoom
- Gesammelte Folgen / solo show (BERLIN)
- Ud af ærmet
- Between the Real and the Imaginary (BERLIN)
- My Love for You is Like a Japanese Car
- Black Maria
- Small Oil Paintings - Curated by Eddie Martinez (BERLIN)
- Sonja Ferlov Mancoba, Ernest Mancoba & Wonga Mancoba (BERLIN)
- Wuthering Heights (BERLIN)
- The Construction of Memories
- Discourse in Translation: A Pragmadialectical Analysis
- Land of Drawing - Land der zeichnunge / Remains of the Day (BERLIN)
- Heaven
- The Mask
- If you're a Mess, I'm a Mess / My Best Side (BERLIN)
- Out of Darkness
- NAMAZU-Eclipse (BERLIN)
- News and Updates
- Behind the Sun
- But it Felt Like a Kiss / Wood Nation (BERLIN)
- Die information, die da drinnen steckt, ist grossartig
- Beyond the Horizon / Backstage (BERLIN)
- MEGA
- Mogen Gissel
- Haus Stunden (BERLIN)
- WOOD NATION
- 4 Weeks 4 Sights (BERLIN)
- Two Holes in the Bottom of the Sea
- Inside Out (BERLIN)
- Picnic in Paradise
- Home Alone
- Indefinite Spaces (BERLIN)
- I'll Just Have to Work with This
- Katharina-Elizabeth I,II,III (BERLIN)
- Nobuyoshi Araki
- Love, Never (BERLIN)
- Casserole
- Living in a Box (BERLIN)
- El Dorado
- The Message (BERLIN)
- Accessories
- High Lights (BERLIN)
- Gravity
- Trip to Denmark
- Masquerade
- Bling
- The end of the universe as we know it?
- Sculptures
- New Works
- The Rehearsal Dinner
- Parallel Landscapes
- Nice Paintings
- What Lies Beneath – New Art from South Africa
- Squelette de l’esprit
- The Paradise Observatory
- Time Out
- Experiment
- Void Garden
- Hot Water - Cold Water : Young art from Cuba
- Imaginary Realities
- New works
- The Ideal Studio House
- She
- In the House in the Woods by the Lake
- Summer Show
- 3 on View
- Home Again
- Color
- My Tsunami
- Renaissance Paintings
- It Only Takes Two Fingers to Stop a Nose from Bleeding
- Product
- Milk Carton series and Plaster Sculptures
- Twenty Years of Boring Drawings
- Ecco of the Eye
- S M L
- Prototypes (Shelter)
- New Works
- Leonard Forslund - New Paintings & Mogens Andersen - New Drawings
- The Nine Muses
- Shamanizia
- New Lead Paintings & Sculptures
- Word Cluster Paintings
- Portraits of Artists
- Golf
- Riverrun
- Inhaling Human Suffering, Exhaling Well being
- Folded : 5 Sculptures
- Painting Collage Drawing
- Indretninger i hukommelsen
- Mogens Andersen
- Something about Painting
- Dingle Berries
- After Munch
- The Millenium Show
- ad libitum
- Production of Space
- Michael Krebber & Cosima von Bonin
- Big Red
- Works from 1966-1968
- New Works
- Painting Pots
- Hair Arabesque
- Mogens Andersen
- Abstract Paintings Must Die Now
- Family Matter
- Home Sweet Home
- Beat Streuli
- Elle Klarskov Jørgensen / Truels Melin
- Shelter and Cover
- Please Don't Sit on the Paintings
Kristian Devantier
Ud af ærmet
12.11 – 11.12.2010
Various stories and incidents are told in a simplified, almost stylised manner. Figures and objects, people and things are placed next to each other in highly contrasting colours. The stylisation is taken just to the point that the story is still recognizable. Kristian Devantier deals with subjects revolving around inter-personal relationships such as love, sexuality but also the human being as a thinking and feeling being with the potential to act. The impersonal physiognomy in the drawings invites the viewer to place himself into the scenes and to participate in the portrayed actions. Kristian Devantier’s works consists of a line of elements which make them easily recognizable but at the same time rouses your interest. There is a constant insistence upon a anti-ekspressive mode of expression, that is closely connected to children’s drawings and expressions from popular culture. One could say that Devantier re-instrumentalizes the effects of pop art and functions of reality with the difference that instead of engaging in the lack of content of pop art he rather fill his paintings with narrative. If one was to gaze upon Devantier’s production certain themes appear. Certain benchmarks or motive loops that he applies again and again. You could call them a lot of things although relationships, mythological stories, and the man in the crowd seems to be possible suggestions. Even though they as categories are far from exhaustive, they do contain a large amount of his work. Kristian Devantier has recently published Best of Kristian Devantier. The book contains over 100 pictures of Devantier’s colorfull paintings and drawings divided into chapters according to exhibitions. Furthermore Pablo Llambias has contributed with small quirky text such as ”It isn’t something that is handed to you on a plate. It’s something you have to guess on your own.” The texts function as a guide to the works as well as an unfolding of them. The book is begun with a text by Camilla Jalving.